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Taxi Driver�made Martin Scorsese's reputation as a director. This book provides a personal commentary on the film, a brief production history and a detailed filmography. In the "BFI Film Classics" series.
- Sales Rank: #742987 in Books
- Brand: Brand: British Film Institute
- Published on: 2000-03-28
- Released on: 2008-01-22
- Original language: English
- Number of items: 1
- Dimensions: 7.52" h x .25" w x 5.43" l, .33 pounds
- Binding: Paperback
- 79 pages
- Used Book in Good Condition
Review
"Sight and Sound is the last word on Scorsese's powerhouse." -- Film Comment
About the Author
Amy Taubin has been a film critic for the Village Voice since 1987, and is contributing editor of Sight and Sound. She started her professional life as an actress, appearing on Broadway, most notably as Sandy in The Prime of Miss Jean Brodie (1968), and in avant-garde films, among them Michael Snow's Wavelength (1967) and Andy Warhol's Couch and The Thirteen Most Beautiful Women (both 1964).
Most helpful customer reviews
4 of 4 people found the following review helpful.
Decent read, but worth the price
By Mark L. Ayala
So, I honestly love Amy Taubin. All her reviews I've read, and the essays she's done for Criterion Collection releases, and even her shared love for My Own Private Idaho sold me on buying this book.
I ended up coming away a bit dissapointed.
The book doesn't really shed anything new on the film. Almost everything she's discusses it mentioned by either Scorsese or Schrader on the old Criterion laserdisc commentary of this film.
There were only a couple of new ideas I gathered from this book. First, the heavy handed sexual themes. I always knew they were there, but not in the way she brings it up. The scene on the cover of the book, I never really put together in my head that he's trying to reinact a fantasy of killing people performing intercourse. Even the scene where he kills Keitel, he whips out his gun and says "Suck on this!". The sexual connotation never hit me.
The other thing this book shed light on was the parallel between cowboys and indians. She brings up many parallels to The Searchers and how Jodie Foster is the Natlaie Wood character, Sport is the indian dresses in beads and feathers, and Travis with his boots is the cowboy who thinks he'll save the day.
Aside from that, it offers nothing new. To those who lack a laserdisc player, I would suggest this book. You honestly can't beat the price.
0 of 0 people found the following review helpful.
Inside Travis Bickle
By Michael Samerdyke
This is a very good look at "Taxi Driver." Taubin covers the making of the film (the money Scorsese got for making it might buy one day's worth of catering today) and gives the movie a very close analysis. She touches on key issues such as 1)how it stays close to and deviates from Arthur Bremer's experiences as he tracked George Wallace 2) the interplay between Bernard Herrmann's score and the images 3)how "Taxi Driver" can be seen as borrowing from the horror film 4) how Travis Bickle relates to black people. These are topics that, to me, have not really been covered in such depth before.
"Taxi Driver" is very well done, one of the best in the BFI series.
4 of 7 people found the following review helpful.
Yet another BFI success
By A Customer
I have been collecting a lot of the BFI Film Classics Books, and was looking forward to adding TAXI DRIVER to the collection as it is one of the best movies of all time. After waiting almost a year for it to come out at last, the book is well worth the wait. It is written very well, concisely and easy to understand, goes through and touches on a variety of aspects on the film and includes a number of beautiful color photos. It is a great book, as are all of the BFI Film Classics books, perfect companions to your favorite movies.
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