Ebook Period Costume for Stage & Screen: Patterns for Women's Dress, Medieval - 1500, by Jean Hunnisett
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Period Costume for Stage & Screen: Patterns for Women's Dress, Medieval - 1500, by Jean Hunnisett
Ebook Period Costume for Stage & Screen: Patterns for Women's Dress, Medieval - 1500, by Jean Hunnisett
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This book is a comprehensive guide to creating period dress. It consists of a series of books detailing the construction of garments, undergarments and outer garments. As well as being accurate, Jean Hunnisett's patterns have been prepared so that they can be readily made up using today's fabrics and sewing methods, and fit the modern female figure. This book concentrates on women's dress for the periods Medieval-1500. It is abundantly illustrated by drawings and photographs and includes scaled patterns as well as step-by-step instructions. Whether you are an amateur, a student or a professional costume maker, this book, and the series it belongs to, is an invaluable source of patterns and techniques.
- Sales Rank: #1122186 in Books
- Published on: 1996-06-01
- Ingredients: Example Ingredients
- Original language: English
- Number of items: 1
- Dimensions: 11.50" h x 9.00" w x .75" l, 1.95 pounds
- Binding: Hardcover
- 192 pages
From Library Journal
In the preparation of this sourcebook, Hunnisett draws on 40 years of costume making for period dramas and operas. She aims to help the experienced theatrical costumer who wishes to translate surviving paintings, sculptures, and drawings of the period into authentic garments. With this volume she adds to a series that includes Period Costume for Stage & Screen: Patterns for Women's Dress, 1500-1800 and Period Costume for Stage & Screen: Patterns for Women's Dress, 1800-1909 (both Players Pr., 1991).
Copyright 1996 Reed Business Information, Inc.
Review
Jean Hunnisett is the finest costume construction mistress in the world. --Katherine Hepburn
About the Author
Jean Hunnisett has a lifetime's experience of professional costume making, including work for the Old Vic, Sadlers Wells, Royal Opera and Ballet, Royal Opera House-Covent Garden, the English National Opera, Washington Ballet, Houston Opera, Zurich Ballet, Australian Ballet and as Principle Cutter for Glyndebourne Festival Opera. She has worked for BBC Television on over fifty shows: 'The Six Wives of Henry VIII', 'Elizabeth R', 'Emma', 'Pride and Prejudice', 'Ivanhoe', 'Vanity Fare', 'Dr. Who', nine productions of the BBC Shakespeare Series, nine of the BBC Operas, etc. Jean also worked for commercial television companies, on shows such as: 'Edward the VII', 'Ghosts', 'Pygmalion' for Annette Crosby, and Twiggy among others. Her film credits include: 'The Slipper and the Rose', 'Joseph Andrews', 'The Corn is Green', 'For Your Eyes Only' and many more. For productions in London's West End theatre, she has made costume for such artists as Joan Collins, Dame Wendy Hiller, Joan Plowright and Dorothy Tutin. It would take pages to list the theatre, ballet and opera productions she has worked on. Another side of her work was to make parts of costumes for museums such as the Museum of London and Kensington Palace, enabling them to show incomplete treasures. Jean also made costumes for Madam Tussaud's at Warwick Castle and at Windsor Station. She inaugurated and taught period costume cutting at the London College of Fashion and extensively lectured at home and abroad. Her career has put her side by side with a host of famous personalities. Producers, directors, designers, stars of stage and screen, teachers and student all agree that Jean Hunnisett is the Preeminent Lady of Costume Construction.
Most helpful customer reviews
0 of 0 people found the following review helpful.
Five Stars
By Amazon Customer
Fine condition, great book, if a bit pricey.
0 of 1 people found the following review helpful.
One of the classic references
By Patricia Mcgregor
I was lucky to get this hardcover for the price I did, and it's a resource I've been wanting on my shelf for quite some time. It's in good shape as described and the vendor got it here very promptly..
104 of 109 people found the following review helpful.
I expected better from Hunnisett
By A Customer
I already own and love "Period Costume for Stage & Screen, 1500-1800 Vol 1," so I rushed right out and bought this book as soon as it came out. I was very disappointed.
It is a decent book, especially for theater use, but it lacks the excellent understanding of period cut displayed the 1500-1800 book. I expected mush more from Hunnisett.
There are many poorly-drawn illustrations which manage to get the point across, but they do not always show what is really in the paintings they purport to be redrawn from. No explanations are given for some of her more unusual cutting decsions, such as the use of big obvious darts on 15th cent. bodices. In other cases, period garments are pictured next to pattern layouts that could never produce anything resembling them-- almost as bad as Hill & Bucknell. None of the example costumes shown in the book are actually intended as authentic-looking medieval dresses-- all are more or less fantasy-inspired.
If you are looking for a general book on how to make pseudo-medieval fantasy costumes (that look like tie-dyed nightgowns), perhaps for children's theater, this is an okay book, but not great-- nothing inspiring here. If you are looking for a book showing an expert cutter's conjectures on period cut to use as a starting point for developing an authentic-looking costume, either for theatrical or historical reenactment use, don't bother with this one except to check the one page bibliography in the back, and the single useful one page spread of 15th cent Italian sleeves. The rest is nothing special at all. Like so many of these books, you must take everything she shows you with a big grain of salt.
On the other hand, I cannot recommend "Period Costume for Stage & Screen, 1500-1800 Vol 1" highly enough.
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