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First Second is very proud to present Nursery Rhyme Comics. Featuring fifty classic nursery rhymes illustrated and interpreted in comics form by fifty of today's preeminent cartoonists and illustrators, this is a groundbreaking new entry in the canon of nursery rhymes treasuries.
From New Yorker cartoonist Roz Chast's "There Was a Crooked Man" to Bad Kitty author Nick Bruel's "Three Little Kittens" to First Second's own Gene Yang's "Pat-a-Cake," this is a collection that will put a grin on your face from page one and keep it there.
Each rhyme is one to three pages long, and simply paneled and lettered to ensure that the experience is completely accessible for the youngest of readers. Chock full of engaging full-color artwork and favorite characters (Jack and Jill! Old Mother Hubbard! The Owl and the Pussycat!), this collection will be treasured by children for years to come.
- Sales Rank: #738521 in eBooks
- Published on: 2013-08-20
- Released on: 2013-08-20
- Format: Kindle eBook
Amazon.com Review
First Second is very proud to present Nursery Rhyme Comics. Featuring fifty classic nursery rhymes illustrated and interpreted in comics form by fifty of today’s preeminent cartoonists and illustrators, this is a groundbreaking new entry in the canon of nursery rhymes treasuries.
A Look Inside Nursery Rhyme Comics
(Click on Images to Enlarge)
About the Author
Nursery Rhyme Comics cartoonists:
Nick Abadzis; Andrew Arnold; Kate Beaton; Vera Brosgol; Nick Bruel; Scott Campbell; Lilli Carre; Roz Chast; JP Coovert; Jordan Crane; Rebecca Dart; Eleanor Davis; Vanessa Davis; Theo Ellsworth; Matt Forsythe; Jules Feiffer; Bob Flynn; Alexis Frederick-Frost; Ben Hatke; Gilbert Hernandez; Jaime Hernandez; Lucy Knisley; David Macaulay; Mark Martin; Patrick McDonnell; Mike Mignola; Tony Millionaire; Tao Nyeu; George O'Connor; Mo Oh; Eric Orchard; Laura Park; Cyril Pedrosa; Lark Pien; Aaron Renier; Dave Roman; Marc Rosenthal; Stan Sakai; Richard Sala; Mark Siegel; James Sturm; Raina Telgemeier; Craig Thompson; Richard Thompson; Sara Varon; Jen Wang; Drew Weing; Gahan Wilson; Gene Luen Yang; Stephanie Yue; and an introduction by Leonard Marcus.
Most helpful customer reviews
11 of 11 people found the following review helpful.
A breath of fresh air for some old friends
By J.Prather
Nursery Rhyme Comics is a surprisingly comprehensive collection of most of the great rhymes I loved as a child, plus a couple I had never heard of. Each rhyme is given fresh treatment by one of fifty well known artists. They range from from the incredible cuteness of the donkey lifting his horn "To wake the world this sleepy morn" so expertly portrayed by Patrick McDonnell, to Lucy Knisley's decidedly different visual take on There Was and Old Woman Who Lived in A Shoe. The old woman in this version is Ruth of Ruth's Rock n Roll Babysitting Service. Ruth is an old woman wearing a skull t-shirt and sporting tattoos on both arms. Her rock band is the whips, and the kids sleep off an afternoon of rock and roll till their parents come and pick them up.
Quite a few of the comics are faithful interpretations of each rhyme, such as The Itsy Bitsy Spider. There's a spider, there's a spout and he gets all washed out, the only addition is that he's carrying luggage. Cute stuff! Jack Be Nimble is mad because he jumped over a candlestick - the last frame shows a decidedly red bottom! Solomon Grundy is a bit creepy, and Croak said the Toad is just beautifully illustrated by Laura Park. I especially liked One Two Buckle My Shoe by Dave Roman. It's count the clones time! I have far too many favorites to describe them all, but whether they are straightforward interpretations, or if the artist has placed a new spin on the old rhyme, these are all wonderful ways to introduce a child who may be somewhat older to some classic rhymes they might have missed out on during their toddler days.
This is a great book for any child's personal collection and will perhaps be best suited for households with a wide range of ages. Some of these will charm the smallest child and others will need an older eye to fully appreciate the sly humor. Adults will get a kick out of this one as well, making it a book sure to be enjoyed by the entire family. Out of all fifty rhymes, I could only count one or two that missed the mark,leaving this to be an excellent volume just teeming with creative, fun artistry. It's nice to see the classics get a breath of fresh air and a new look. Recommended.
7 of 7 people found the following review helpful.
They liked it
By A Romero
I don't have young children anymore, but I do teach Gifted and Talented students from 1st through 5th grade. I ordered this book, because we study innovations in 5th grade, so I though this book would fit right in. The combination of popular Nursery Rhymes with comic book style illustrations was a hit with my students. They now understand what the term "innovation" means, as well as what a "parody" is. My students were reciting the classic nursery rhymes as I read the book out-loud and laughing at the whimsical illustrations. Some of their favorites were "Three Little Kittens," "Rock-a-bye Baby," "Pop Goes the Weasel," and "Humpty Dumpty," but they laughed especially hard when we read "Jack be Nimble." My next activity will be to have the students create their own innovations on a popular fairy tale of their choice. I can't wait to see what my highly creative students come up with.
6 of 6 people found the following review helpful.
For the Spongebob generation
By E. R. Bird
Nursery rhymes. What's up with that? (I feel like a stand up comedian when I put it that way). They're ubiquitous but nonsensical. Culturally relevant but often of unknown origins. Children's literary scholar Leonard Marcus ponders the amazing shelf life of nursery rhymes himself and comes up with some answers. Why is it that they last as long as they do in the public consciousness? Marcus speculates that "the old-chestnut rhymes that beguile in part by sounding so emphatically clear about themselves while in fact leaving almost everything to our imagination" leave themselves open to interpretation. And who better to do a little interpreting than cartoonists? Including as many variegated styles as could be conceivably collected in a single 128-page book, editor Chris Duffy plucks from the cream of the children's graphic novel crop (and beyond!) to create a collection so packed with detail and delight that you'll find yourself flipping to the beginning to read it all over again after you're done. Mind you, I wouldn't go handing this to a three-year-old any time soon, but for a certain kind of child, this crazy little concoction is going to just the right bit of weirdness they require.
Fifty artists are handed a nursery rhyme apiece. The goal? Illustrate said poem. Give it a bit of flair. Put in a plot if you have to. So it is that a breed of all new comics, those of the nursery ilk, fill this book. Here at last you can see David Macaulay bring his architectural genius to "London Bridge is Falling Down" or Roz Chast give "There Was a Crooked Man" a positive spin. Leonard Marcus offers an introduction giving credence to this all new coming together of text and image while in the back of the book editor Chris Duffy discusses the rhymes' history and meaning. And as he says in the end, "We're just letting history take its course."
In the interest of public scrutiny, the complete list of artists on this book consists of Nick Abadzis, Andrew Arnold, Kate Beaton, Vera Brosgol, Nick Bruel, Scott Campbell, Lilli Carre, Roz Chast, JP Coovert, Jordan Crane, Rebecca Dart, Eleanor Davis, Vanessa Davis, Theo Ellsworth, Matt Forsythe, Jules Feiffer, Bob Flynn, Alexis Frederick-Frost, Ben Hatke, Gilbert Hernandez, Jaime Hernandez, Lucy Knisley, David Macaulay, Mark Martin, Patrick McDonnell, Mike Mignola, Tony Millionaire, Tao Nyeu, George O'Connor, Mo Oh, Eric Orchard, Laura Park, Cyril Pedrosa, Lark Pien, Aaron Renier, Dave Roman, Marc Rosenthal, Stan Sakai, Richard Sala, Mark Siegel, James Sturm, Raina Telgemeier, Craig Thompson, Richard Thompson, Sara Varon, Jen Wang, Drew Weing, Gahan Wilson, Gene Luen Yang, and Stephanie Yue (whew!). And as with any collection, some of the inclusions are going to be stronger than others. Generally speaking if fifty people do something, some of them are going to have a better grasp on the process than others. That said, only a few of these versions didn't do it for me. At worst the versions were mediocre. At best they went in a new direction with their material without getting too crazy. Nick Bruel, for example, does a great "Three Little Kittens", filling it with pie-obsessed felines, while Craig Thompson gives his "The Owl and the Pussycat" a kind of John Steed/Emma Peel flair.
The artist couldn't necessarily agree on who the intended audience was either. Amazon, interestingly enough, lists this book as intended for "Baby-Preschool" readers. Um . . . yeah, probably not so much. Though some of these rhymes would be just fine for that age range if you read them aloud, but others just aren't going to go over with the ankle biter set. Of course, there's not a lot of consistency from one rhyme to another. You might read Lucy Knisley's "There Was an Old Woman Who Lived in a Shoe" where Knisley has justified the line "Then whipped them all soundly" by making the kids play the instruments of the Old Lady's now defunct band "The Whips" (it's a bit of a stretch, I know) then follow that up with the Eleanor Davis poem "The Queen of Hearts" which takes the line "And beat the knave full sore" and pretty much does just that. Or you might see Raina Telegemeier's highly innocent "Georgie Porgie" followed up with Mike Mignola (the creator of Hellboy) and his dark mannequin-laden contemplation of mortality in "Solomon Grundy". The tone shifts about a bit. That's not a problem for a nine or ten-year-old capable of enjoying the dichotomies but for a kid learning them for the first time it's going to be just too much.
The choice of artists to include must have been fun. Some of these illustrators aren't your standard go-to comic book creators for kids either. For example, Tony Millionaire has spent the better part of his professional life inspiring my nightmares with his alternative strip MAAKIES while I associate Gahan Wilson best with his New Yorker comics more than anything else. Other artists are part of the First Second family, like Gene Yang or Sara Varon. And then there are folks that editor Chris Duffy must have taken a chance on. Kate Beaton, creator of the hilarious and brilliant online strip Hark! A Vagrant shines here with her "Duke of York". Meanwhile Cul de Sac creator Richard Thompson gets to shine with his own "There Was an Old Woman Tossed Up in a Basket". Finally, there are the picture book illustrators like Tao Nyeu or Marc Rosenthal who fit in so well you'd never imagine comics weren't their first love. Personally, I hope that maybe a graphic novel is in their own futures someday.
The advantage of having such a deep well of artists to pull from is that you can usually find folks to fit your own tastes. Personally I felt that Cyril Pedrosa's "This Little Piggy" and "The Lion and the Unicorn" by Aaron Renier were worthy of their own, albeit very short, books. And then there are the visual styles one prefers. I liked it the most when artists referenced some of the great illustrators of the past. Theo Ellsworth's "As I Was Going to St. Ives", for example, seems clearly influenced by Wanda Gag's Millions of Cats, for example. And I can attest that it is a sheer delight to read a book of this sort in full color. From Cyril Pedrosa's hot pink borders to Dave Roman's penchant for purple, this book just wouldn't be the same if the publisher hadn't splurged on a couple shades and tones here and there.
Of course the danger of a book like this is that the reader gets greedy. A mere fifty artists? Couldn't they get Harry Bliss, Jeff Smith, Art Spiegelman, Barry Deutsch, Hope Larson, yadda yadda yadda? Give people something awesome and they'll always find a way to kvetch and demand more. Nursery Rhyme Comics deserves better than that, and will hopefully find its way onto many a child's shelf. And it pairs rather splendidly with a similar collection of American Indian folktales illustrated by a range of graphic novelists called Trickster. If, however, you'd like to pair this book with its literary opposite (authors paired with a single piece of art rather than artists paired with a single short text) consider placing it alongside the fabulous The Chronicles of Harris Burdick with art by Chris Van Allsburg. There are as many way to pair and display and talk up this book as there are artists inside of it. Likewise, there are as many ways to read and enjoy this book as there are children out there who would get a kick out of its pages. Whether they're reading familiar rhymes or discovering new ones, Nursery Rhyme Comics gives kids everywhere a new way of encountering some essential cultural touchstones. Great good stuff.
For ages 9-12.
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