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*** Amazon #1 Kindle Best Seller: Epic Fantasy, Historical Fantasy, Sword & Sorcery, Men's Adventure ***
They killed the king. They pinned it on two men. They chose poorly.
There's no ancient evil to defeat or orphan destined for greatness, just unlikely heroes and classic adventure. Royce Melborn, a skilled thief, and his mercenary partner, Hadrian Blackwater, are running for their lives when they're framed for the murder of the king. Trapped in a conspiracy that goes beyond the overthrow of a tiny kingdom, their only hope is unraveling an ancient mystery before it's too late.
This is the first book in the original series, The Riyria Revelations, from best-selling author Michael J. Sullivan. It takes place twelve years after the events of The Riyria Chronicles and the two series can be read in either chronological order or order of publication, although the author suggests reading in publication order.
Publication Order
- Theft of Swords�(Riyria Revelations�#1 & #2): contains�The Crown Conspiracy�&�Avempartha
- Rise of Empire ��(Riyria Revelations�#3 & #4): contains�Nyphron Rising�&�The Emerald Storm
- Heir of Novron �(Riyria Revelations�#5 & #6): contains�Wintertide�&�Percepliquis
- The Crown Tower (Riyria Chronicles�#1)
- The Rose and the Thorn�(Riyria Chronicles #2)
- The Death of Dulgath (Riyria Chronicles #3)
- The Crown Tower (Riyria Chronicles�#1)
- The Rose and the Thorn�(Riyria Chronicles #2)
- The Death of Dulgath�(Riyria Chronicles #3)
- Theft of Swords�(Riyria Revelations�#1 & #2): contains�The Crown Conspiracy�&�Avempartha
- Rise of Empire ��(Riyria Revelations�#3 & #4): contains�Nyphron Rising�&�The Emerald Storm
- Heir of Novron �(Riyria Revelations�#5 & #6): contains�Wintertide�&�Percepliquis
- Hollow World�(2014 - stand alone science fiction)
- Age of Myth (2016 - Legends of the First Empire #1)
- 2013 Audie Award Finalist
- 2012 Shadowhawk's Shade Best of the Best
- 2012 Audible's 5-star The Best of Everything
- 2012 MathiasCavanaugh Top 10 Books
- 2012 AudioBookaneers Favorite Listens, Runner up�
- 2012 Audible's Best of 2012 Editor's Picks�
- 2011 Library Journal's Best Books for Fantasy/Sci-Fi
- 2011 Only the Best Science Fiction and Fantasy's Top 10
- 2011 Best Fantasy Releases by Barnes and Noble Blog
- Twitter: @author_sullivan
- Website:�michaelsullivan-author.com
- Facebook (author): facebook.com/michael.james.sullivan
- Facebook (series): facebook.com/riyria
- email: michael.sullivan.dc@gmail.com
- Sales Rank: #14588 in Books
- Brand: Fantasy Novels Orbit Books
- Published on: 2011-11-23
- Original language: English
- Number of items: 1
- Dimensions: 8.25" h x 2.00" w x 5.50" l, 1.25 pounds
- Binding: Paperback
- 704 pages
Review
"In the space of two years, Michael Sullivan has moved from a small press debut author who was featured in one of my first "Indie Spotlight Reviews" to a "name" in the fantasy field." -- Fantasy Book Critic
Praise for the Riyria Revelations:
"Mr. Sullivan continues to impress. In Royce and Hadrian he has created some of the best characters the genre has seen in some time, and in Avempartha he shows that he knows what to do with them. These books should be in every bookstore and I really hope that they are someday." --- Speculative Fiction Junkie
"A whirlwind of twists, earth-shattering surprises and deadly betrayal." --- Literary Magic
"Hair-raising escapes, flashy sword fights, and faithful friendship complete the formula for good old-fashioned escapist fun."
―Publishers Weekly
"This epic fantasy showcases the arrival of a master storyteller."―Library Journal
From the Author
I've always enjoyed television series that had a continuing story arc told through individual episodes. My favorites were Buffy the Vampire Slayer and Babylon 5. Having mysteries unfold a bit at a time kept me engrossed and I couldn't wait to see where the creators were going to take me. This was a major goal of mine when writing The Riyria Revelations and I hope you will enjoy your journey.
The tale had actually banged around in my head for over fifteen years in one form or another. I kept adding characters and plot lines until I had, at least to me, a compelling story with likeable characters. Because of the complexity of the plot in the overarching story, it was imperative that I wrote all of the books before releasing the first one. While I don't recommend this technique to other writers, it allowed me the opportunity to weave threads in previous books as I fully developed later ones.
While I'm on that subject, one of the most rewarding aspects of this series is the numerous "Easter eggs" that I've hidden along the way. There are small things that, upon first reading, you'll not consider as having any significance. For those that re-read the series, where all the pieces have been put into place, hopefully you'll see incidents or dialog in a whole new light. In retrospect, these clues should appear obvious, and if I've done my job properly they will remain buried until the proper time. In this respect, I hope the book will be a lot like the movie The Sixth Sense.
The Riyria Revelations, especially in the beginning, is little more than fun, fast-paced fantasy. As the series progresses, I think you'll see more depth both in the world of Elan and the characters. This was a purposeful decision and a dangerous one. It means that by design the first book is the weakest of the set, but enables me to end it with a resounding bang. This technique may mean that some will stop after reading the first book, assuming I have little talent. They may not feel "connected" to the characters because there was not enough for them to latch onto. All I can say is that I feel the reward of incremental discovery outweighed my alternatives. If after completing the entire story, you feel I lack ability, at least I'll know you came to the conclusion having all the facts on which to judge me.
The last thing I'd like to say about this series is that I wrote it for pure enjoyment--both for you and myself. First and foremost it was meant to entertain. My goal was to write a book that I would like to read, to be with friends that I wanted to spend time with and go on an adventure filled with surprises and some heartfelt moments. While I wrote the books for adults, I kept it free of foul language, sex, and graphic violence so that it could be enjoyed by people of all ages.This series is reminiscent of the fantasies I read as a youth and wasn't meant as any kind of commentary on current trends in modern fantasy. Yes, it incorporates archetypes and familiar themes, but hopefully they are used in a way that will make them feel fresh. What I was striving for was to create a series that felt as familiar and comfortable as your favorite pair of shoes. Hopefully there are people out there with similar tastes, and if you are one of them, I predict you'll enjoy the journey very much.
Michael
From the Inside Flap
Works by Michael J. Sullivan NOVELS The Riyria Revelations Series
- Theft of Swords (2011 - contains The Crown Conspiracy & Avempartha)
- Rise of Empire (2011 - contains Nyphron Rising & The Emerald Storm)
- Heir of Novron (2012 - contains Wintertide & Percepliquis)
- The Crown Tower (2013)
- The Rose and the Thorn (2013)
Standalone Novels
- Hollow World (coming April 15, 2014)
- Antithesis (release date to be determined)
- A Burden to the Earth (release date to be determined)
SHORT STORIES�(Sold Individually)
- The Viscount and the Witch (2011 - Riyria Chronicles)
- Greener Grass (2012 - Dystopian Science Fiction)
- The Jester (2014 - Riyria Chronicles)
- The End--Visions of�Apocalypse: Burning Alexandria (2012)
- Unfettered: The Jester (2013)
- Triumph Over Tragedy: An Anthology for the Victims of Hurricane Sandy: Traditions (2013)
- Help Fund My Robot Army: New and Improved Monkey Paw (2014)
Most helpful customer reviews
69 of 78 people found the following review helpful.
Fast paced excellent fantasy
By KHanson
I absolutely loved this book.
Hadrian and Royce battle for the greater good in the midst of intrigue, false promises, action, adventure, and love. They know what it means to walk a careful line between competing interests, and before the end of the book I knew that they were two of my most favorite fantasy characters ever.
The world of the Riyria Revelations is well imagined and the backdrop for the sudden plot twists is sweeping and inspiring. I couldn't put this book down, and didn't want it to end. A great story, start to finish.
When I could part with the book, I loaned it to my 75-year-old mother, who loved it. She decided that Hadrian was her favorite name. Shortly thereafter, I loaned it to my 13-year-old grandson, and he LOVED IT! He liked different characters and different parts of the story, but the very idea that we could read a book through the generations and all delight in the story was absolutely something to celebrate.
If you love fantasy, you will not be disappointed with this excellent offering by Michael Sullivan. Do yourself a favor. Read it.
296 of 351 people found the following review helpful.
Fun, but lacks depth.
By A. Whitehead
Hadrian and Royce are partners in crime, a mercenary and thief who make a living working for the various nobles who rule over the lands of Avryn but spend most of their time feuding with one another. One particular job ends with Hadrian and Royce being arrested and charged with regicide. Determined to prove their innocence and take revenge on those who framed them, they set out on a quest that could change the fate of Avryn and the whole world.
Michael J. Sullivan's Riyria Revelations series is already a proven success, with both small press and self-published editions of the books selling well. Orbit have picked up the series and recast the original six books as three omnibuses, bringing them to a wider audience. Whilst this laudably rewards the author's success, it also raises the stakes: standing out from the crowd in self-publishing is one thing, but how does Sullivan's work stack up compared to the current fantasy heavyweights?
The answer is...okay, actually. Sullivan's ambition with this series was to create a series that in a way beat against the current trend for adult, edgy, violent and explicit fantasy novels in favour of something more straightforward or 'classic'. Something that evoked the spirit of say Eddings or Brooks without being as dire. Sullivan lists Harry Potter as an inspiration, particularly the way it welded together accessibility and a classic structure with darker elements (such as major character deaths), and that's certainly a reasonable ambition.
Theft of Swords (which combines the first two novels in the series, The Crown Conspiracy and Avempartha) is a fast-paced, straightforward read with a fast-moving plot and easy-to-read writing. Sullivan's risk in aping the simpler form of fantasy fiction is that he might skirt towards blandness, and this is certainly a problem in the book. He has a fairly blank prose style which is effortless to read, but also somewhat forgettable. His skills with characterisation are somewhat stronger, but still not as great as might be wished. Particularly odd is that his central characters of Hadrian and Royce are not very well-developed at all, and many of the secondary characters are more interesting and better-drawn. The central duo do get a bit more fleshed out towards the end of the second half of the book and we also get a possible reason for why Sullivan had to hold back on certain revelations about them, but it is a bit of a challenge to read a book where the two heroes are so (apparently) shallow.
Other issues can be found in the worldbuilding, particularly the existence of apparently substantial kingdoms with walled cities in them that are only about 20 miles wide. Sullivan aims for some consistency here - a couple of hundred soldiers forms a large army in this world, presumably because populations are correspondingly tiny - but it's still a bit odd. On the racial front, things are fairly traditional: dwarves are geniuses for stonecarving whilst elves are long-lived, pointy-eared types. The only dwarf we meet is a grubby villain, whilst the elves are (in this first book anyway) kept firmly off-screen and are the enemies of humanity, but these are minor (and not particularly unprecedented) twists to the established formula. Naturally, the main storyline also revolves around prophecies, chosen ones whose arrival will signify the end of the world and so on, and it won't take a genius to guess who the chosen one is going to be.
The principle problem with the book is its very predictability. At first, reading an epic fantasy without blood spraying over people's faces every five seconds or two mandatory graphic (and usually badly-written) sex scenes per book is a refreshing change of pace, and feels like a valid direction to take at this time. However, the book's embracing of classic tropes without doing much (or, at times, anything) to subvert or challenge them eventually gets dull. Brandon Sanderson, for example, is also writing classic epic fantasy but remembers to put in plenty of interesting twists: a post-magic-apocalypse setting, a Wild West angle and, of course, lots of original magic systems. These flourishes are absent from Sullivan's debut work.
Theft of Swords (***) is an easy, relaxing read but also one that lacks depth or originality. It's fun enough to warrant reading on (and the series rep has it improving massively as it continues), but I do wonder if publishing these stories as 650-page omnibuses rather than their original 320-page, bite-sized chunks was a mistake. A fun popcorn read, but ultimately not much more.
37 of 42 people found the following review helpful.
A few heists gone awry (and thank goodness for it!)
By E. Ambrose
It should be noted that some of the first fantasy stories I ever read fell quite solidly into the sword and sorcery sub-genre. I remember liking them and then starting to move towards other things. Anyway, it's been a while since I found a sword and sorcery story I truly delighted in reading and Theft of Swords reminded me of everything I love about the sub-genre.
The book is about two partners in crime, Hadrian and Royce, as they get hired to pull a couple of heists involving swords (hence the title). Both start off simply enough but as such things are wont to do in fantasy novels, events go all Murphy's Law on them. It's really more like two novellas set one after the other with an ongoing plot linking them loosely together.
Usually the biggest pitfall I have with sword and sorcery is the main characters. This was not the case for this book. There was no brooding over Royce's and Hadrian's pasts (which was refreshing). Little tidbits and hints about their pasts were noted without dragging the pace of the story down or distracting me with some tale of woe. There were one line acknowledgements where I could look back at that character's actions up until that point and go "yup I suspected that, but thank you for confirming it" without interrupting the story one whit.
I loved the social dynamic between the two of them and how opposite Hadrian and Royce were by nature and by trait, but how little true antagonism there was between them. I found myself very happy with the ribbing of who's got a soft spot for what, the "if we listened to me, we wouldn't be in this mess" reiterations and of course the ever entertaining "Well we could just kill the twit" spiel. Call me a shallow dunce, but I was actually happy with how both of these guys accepted each other and how they broke problems down into things they could deal with. Since they were so stable with each other, one could appreciate the degree of instability that every other character seemed to go through during the course of each of the novellas. This is not to say that the main characters are static as much as the changes in them are not dramatized as much as everyone else's (with one teeny tiny exception related to the overarching plot between the stories). I thought that appropriate since everyone else seemed to be dealing with much more dire personal and political problems through the stories. While this could have been problematic, instead Royce and Hadrian served as a stabilizing force in the stories.
The other characters with more going on within the stories consist namely of Alric the new king of Melengar, his sister Arista and Thrace, a peasant girl in the second novella. Both Alric and Arista seemed fairly typical as far as they went. Much of their individual antics seemed more to set up situations to see Royce and Hadrian react to them than to garner characterization for them individually. Among the more minor characters, I felt that Thrace was better detailed and will probably end up being more interesting than either of the hereditary royalty as this series progresses.
So far the villains are obvious with a few exceptions. However, I am happy to report that the conspiracy seems to require the Evil Overlord's Handbook as required reading for all of its ranking members. That is to say, that those in charge of making plans and carrying them out were generally smart and wily enough to not get caught at it and make it appear as if they had been wrong/mistaken/forced into whatever action they had gotten caught at. It made for a better villain and put it a little more on the reader to define exactly who are the bigger jerks between the two sides of the big Imperial conspiracy.
If there's one place where this book stumbled, it was in the world building. It wasn't that there were elves and dwarves and dragons so typical of the sword and sorcery sub-genre. It was more that I hard time trying to figure out why there was a rift between the Imperialists and the Royalists when it seemed more reasonable to guess that any of the kings would quite happily support an imperial agenda... provided they were the ones wearing an imperial coronet after all was said and done. I also thought that the boundaries and differences between kingdoms (at least the ones that were actually visited by the characters) were minute overall, more like city-states or really big fiefdoms rather than anything so expansive as a kingdom. I did appreciate how "other" the elves ended up being. I kind of wish that the dwarves had a different other-ness illustrated to the same degree, particularly since the story has a dwarf character pop up a few times, but no true elves have any face time whatsoever. Fortunately I didn't pay all that much attention to a lot of that because I had Royce and Hadrian escapades to laugh over instead, except as the politics intersected with their lives.
Faults aside, I really enjoyed Theft of Swords and will be eagerly awaiting the next installment.
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